Oga (na through me)
By Chale - Posted on July 13th, 2006
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Enable Javascript and Adobe Flash player in your browser to browse the full media galleryK. K. Fosu, QuataAnadwo ye ede2004Kaakyire Kwame FosuTwi35:16
Verse 1
Yɛnsii wo hene na wopɛ adwumahene ɛkyɛ ahyɛ a
Obi nsom wo da, anom mo, fa w'ano twi fɔm
Mɛnrɔɔhye, ɛnkrɔhye, agorɔ no, ɛnyɛ anumdwa
Ɛbinom paaseyɛ ansaana yɛahyɛ aseɛ nti, ɔgyee din
Mahu broni pɛn, ɔfiri deɛ anka, twa bɔ
Kɔkɔɔ nso ne ɔsrane, ɔtena dɔkɔkuro mu
Okra, ɔnfɛre na ɔtumi me hene a, menfɛre, mede asaawa bɛhyɛ mu
Kotorɛ, kɔ dwenso kɔda
Okra, ɔnfɛre na ɔtumi me hene a, menfɛre, mede asaawa bɛhyɛ mu
Na bɛ try
Chorus 2x
Na through me, you make the ɔga o
You make the ɔga o
Na through me, before you make am, nabi
Before you make am
Verse 2
Ɔbɔfoɔ ne hwan, ɔbɔfoɔ ne ɔkɔ a
Sɛ ɛsɛe a, na dɔm boa, woate wo tua hunu
Ne hunu mu, prayɛ no Kay, na merepra me dan mu
Ɔtwea a, woahu dwiareɛ, sɛ ɔrekɔda a, na atua n'ano
Ahyee moko bue ye, kɔmɔ hyi, ɔboɔ wɔwɔ
Yɛpɛ akɔkra ma no awia ba a
Hwan ni, Gɔgɔme
Kplɛo, kplɛo, aaha, aaha, biko biko biko
Lɛ o, kplɛ o, aaha, aaha, biko biko biko
Repeat Chorus 2x
Verse 3
Deɛ ɛyɛ no sɛ ogyina hɔ no
Ɔnhwɛ yie, na woanhye ase
Deɛ ɛyɛ no sɛ woantimtim no
Ɔnhwɛ nso na yɛsɛ yɛntim
Stop, look, ɔga listen
Wene w'aso, ma w'ani nna hɔ
Afei, tia ha kɔ sɔ
Nanso, ɛnka w'adwene ngu
Wo kɛseɛ sene me, wose ɛkyerɛ sɛ, ɔne no hon gam (2x)
Rap Verse
Oh, sɔɔde, okay, yɛbɛyɛ no dɛn
Nkaa no, kɛseɛ na yɛdebɔ baahyia a
Anka aboa prɛko, yɛkɔ no sita
K. K., gye w'ahome
Ne sika anso ne die
Woadidi ɛdɛn pɔmpɔsea
Mmaabaa na ɛma agya dɛre, yɛhuri a
Yɛse wodi akyekyedeɛ akyi kwa
Menkɔte a, mete
Yei, ɔfuntɛpi a, ɛnnɛ, ɔse ɔyɛ ɔga
Abofra na wo deɛ, w'ano resɔ nsuo a, wose, woretwa tii
Yɛrekɔ kɔpɛ kurom afɛre guarantee
Hwɛ, ɔreyɛ ne ho gyaluugyaluu
Kan wo hu firim, m'ani abre sɛ kodɔdom
Meto agyinafoɔ nsuro mu yam
Ɛyɛ wo sɛ pipe ano na yɛdɔre asukɔm
Ɔreyɛ afa nukuriti mu asoa ne sotorɔ
Wode apuu rebɛyɛ ɔbaa a
Mese, ayɛ a, na ɔreba a, na ne to resosɔ
Oh, sɔɔde, dɛnkude
Antam mpehyeɛ, sɛ na mabrɛ nnee fa a
Wonni gyedie pɛsɛ wonante po so
Paul mpo yasesa ne sidi na wo, taku
Kwaataa se dontu fɔ kɔ wɔ de, K. K.
Hwɛ, wo ara kɔdwensɔ kɔda
Na okay, bɛntoa nie, gye na kɔsa
Hook 2x
You hear what dey go on
Abi, you hear what dey go on
You hear what dey go on
Abi, you hear what dey go on
From D-camp, make D-style
Repeat Chorus till fade
© K. K. Fosu
Produced by OM Music
Email
I believe he was insulting my man Batman aka Samini. He says through him, Samini became the Oga but guess what KK, Samini is really the Oga. Look at him making Ghanaians proud all over, getting awards and big awards. He is more Oga than KK now
They made some great music before and I hope they make more like Suudwe and Zaaza.
Wish them best the both
Oware, I couldn't agree with you more, u're totally right. Samini was and is still the oga, Samini was the oga when K.K and Koko were collaborating. Now, don't get me wrong, K.K is talented too, but that doesn't mean that he made Samini who he is now. I mean K.K wouldn't have featured Samini on his tracks back in those days if Samini wasn't talented. And the hits Samini and K.K produced were the result of two talents working together on a project.
So, K.K has absolutely no right to claim the succes of Samini. If K.K can say this, then what would Nana King and Lexifry productions say. They helped Samini produce an album.
I don't know if this song was written out of jelousy, if not, then K.K was strongly misguided and misled.
Hehe, Samini is truly the oga now. But K. K Fosu is doing well too. I really like and don't like this song for its lyrics. On the one hand, it talks about helping people to become great and how those who help you deserve credit and thanks. A lot of people become successful and forget their roots (Africans abroad - this is mostly to you).
The problem with this song is mostly Quata's rap verses. He makes reference to Samini and his friend Gogome in 'not-too-kind' ways which makes it seem the whole song is aimed at criticizing Batman Samini. Of course, the song generated some controversy but this was done for the money so best believe that there are no ill feelings between K. K Fosu and Samini. That said, the song carries a relatively good message and even though the timing helped it sell and made it seem like a dagger drawn, we should credit KK for a good song :-)
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