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Mr. Lecturer III
View all from Eedris Abdulkareem Eedris AbdulkareemJaga jaga2004Eedris Turayo Abdulkareem AjenifujaEnglish84:34http://www.youtube.com/watch?v=Arzn4kBOxJI
Mr. Lecturer II
View all from Eedris Abdulkareem Eedris AbdulkareemJaga jaga2004Eedris Turayo Abdulkareem AjenifujaEnglish35:24http://youtube.com/watch?v=kZ7DHw_dbuM
Anti-Corruption Song Contest in Namibia draws huge interest from whom?

Namibia: Anti-Corruption Song Contest Draws Huge Interest - At least 23 choirs have so far entered for the anti-corruption song competition, which is aimed at discouraging people in high office from stealing from the poor and people in general to avoid corruption. [All Africa.com music]
This is a worthy effort to make use of music in educating the populace about an issue that is paramount in African societies today - corruption. Having the competition allows people to understand the issues and concerns surrounding corruption, documents stories and various forms of this problem and contributes to the positive vibe of entertainment.
Campus
View all from Lagbaja LagbajaIkira1996Bisade OlogundeEnglish, Yoruba
P1
View all from Okomfour Kwaadee Okomfour KwaadeeNsem pii2006Jerry AnabaTwi5:27
P1 (Class 1) - Making sure everybody goes to school
...Sounds on da ground and seens on the see-ins It's that time of year again; first-year students are thronging the campuses of Tech (KNUST), Legon, UCC, etc while last-year senior secondary students have just completed their SSCE exams. Inevitably, some students would fail to make the cut to enter the tertiary institutions and this realisation hit me when I was listening to Okomfo Kwaadee's 'P1', a song on his latest album, 'Nsem pii'. P1 stands for 'primary 1' or the very first year in elementary school. Take a moment to think about the number of youth in Ghana who will be unable to go to school because they are unable to pay. And picture what the idle minds and hands are doing with their time.
Adom bi wo Yesu mu
View all from Gospel Explosion Gospel ExplosionYi n'aye2006Gospel Explosion (IHCF-KNUST)Twi
Maame
View all from Bacteria BacteriaMaameWalter Mawul GliTwi5:20
Efie nipa - idle minds and working hands
...Sounds on da ground and seens on the see-ins Almost every month, we hear about workers' strikes, people calling for increased wages, better terms of service, etc, etc. These calls come from the brains that make our economies tick - the doctors, the lecturers, the civil servants, etc. Granted, the cost of living in Ghana is high and the wages of the middle-class do not seem to allow for a good standard of living. However, what about the Ghanaians who have no jobs? And those who have jobs which do not necessarily exercise their brains but keep their hands busy? Have we stopped to think about what our idle minds are up to these days? This realization hit me when I was listening to Okomfo Kwaadee's 'Efie nipa' recently. It shouldn't surprise you to hear the lyrics of the voice of the streets which is increasingly becoming Okomfo Kwaadee's tag.
Tuabodom and Kumasi on the same page
Originally written on September 11, 2005
...Sounds on da ground and see-ins on the scenes One Ghanaian song that has received a lot of airplay and publicity this summer is 'Yɛfri Tuabɔdɔm'. This song, released by Nkasei narrates a true story where a teacher and his students, from a school in Tuabɔdɔm, a town in da Brong Ahafo Region, trek to Kumasi to attend a students' congress. Yɛfri Tuabɔdɔm is da song they sing, as jama, or their cheer, threatening to show Kumasi kids 'who is who'.
Tuabɔdɔm residents, instead of enjoying their new found popularity, with a whole hit song dedicated to them, are not happy with the song. The song puts them in a bad light, shows them as villagers who haven't seen coal tar, televisions, and fans before. Led by their queenmother, they called for the song to be banned from the airwaves, and mobbed MUSIGA executives when they travelled to Tuabɔdɔm to apologise. The source of the ire - Tuabɔdɔm has become a laughing stock, as Ghanaians all over are teasing them, left, right, center.











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